Manuela Lucia Tessi  The Weight of Words

In this residency I will re-work and dive deeper into a project I created here during a long residency at Lake Studios in 2015, and I will be collaborating with visual artist Sarah Hermanutz, with whom I  created the Weight of Words originally, and writer Tamara van Ijperen.
The Weight of Words (TWOW)  was initially conceived as a performance-installation of the duration of two hours with a pool of collaborating writers and movers. The core element was improvisation. Ten years later I felt the need to recreate this piece in a shorter format as a performance with a clear beginning and ending.  The Weight of Words is a performance that exists at the meeting point of projected text and the moving body.  On the walls behind and next to the dancer some text appears and disappears, sliding along in different directions, shrinking and enlarging, interacting with the dancer’s movement as a sort of instant scenography.  The text is composed by the writer who is in the same room, and rearranged by the visual artist through a computer program. As the words are projected the dancer is responding and relating  to them in real time. This was creating a feedback loop between text and body which emphasizes the materiality and ephemerality of each. 
I want to dive deeper into the relationship of text, movement and visuals, and get to the core of why making this piece fascinates me so much.  I wish  to create something that wants to both contrast the overabundance of visual and sound stimuli to which the viewer is constantly exposed in daily life, and awaken sensitivity in perception of image and language. Together with my collaborators, I am interested in guiding the audience through a sensory journey that will stimulate different areas of perception, enriching the spectator’s receptiveness and imagination.

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Residency blog posts

Invitation to the Weight of Words


The Weight of Words 
A performance by and with:
Manuela Lucia Tessi- concept and movement, Tamara van IJperen – words Sarah Hermanutz – visuals
Friday 7 June 20:30 @Lake Studios , Scharnweberstrasse 27, 12587 Berlin Entrance: suggested donation 5/8 E

Please let me know if you can make it : The Weight of Words was reworked during a residency at Lake Studios May-June 2024

The Weight of Words (TWOW) is a performance in which written text and the moving body interact in real time in the presence of an audience. While the dancer moves, the writer composes text that is sent to the visual artist, who manipulates the text appearance through a computer program, giving the text a “body”, and projecting it onto the walls. The words appear, disappear, slide along in different directions, shrink and enlarge, interacting with the mover as her dance partner or a sort of instant scenography.  As the words are projected the dancer responds to them as a part of her instant movement composition. This creates a feedback loop between projected text and body which emphasizes the materiality and ephemerality of each.
Manuela, leading the project with her collaborators, visual artist Sarah Hermanutz, (with whom she created the Weight of Words in 2015 ) and writer Tamara van IJperen, is fascinated by the silent power of text, and imagines a way that written word could be “lifted” from the page and made physical, so not only its direct meaning but also its “body” would play a part. Movement and words enhance or counterpoint their expressive power, giving a multi-layered experience to the public.  The piece has a rather slow and meditative pacing,  and wants to both contrast the overabundance of visual and sound stimuli to which the viewer is exposed in daily life, and inspire the spectator’s imagination, associative mind , and kinesthetic responses in the perception of movement. 
The Weight of Words (TWOW) was created and performed for the first time during a long residency at Lake Studios in 2015. It was then a performance-installation of the duration of two hours with a pool of collaborating writers and movers, in which the core element was improvisation. Almost ten years later, Manuela felt the need to recreate this piece in a shorter format as a performance with a more clear dramaturgical line, diving deeper into the relationship body/projected words, and being again full of wonder by the process of this piece.