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DTSTART;TZID=Europe/Berlin:20261016T193000
DTEND;TZID=Europe/Berlin:20261016T223000
DTSTAMP:20261015T155101
CREATED:20260110T164428Z
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UID:21020-1792179000-1792189800@lakestudiosberlin.com
SUMMARY:Unfinished Fridays #127
DESCRIPTION:Works in Progress + Moderated Feedback\n\n\n\nUnfinished Fridays\, established 2014\, is a free\, recurring dance performance series at LAKE Studios featuring new works and excerpts by local and international resident artists and special guests. \n\n\n\nThe evening comprises 3 to 4 work-in-progress pieces followed by a moderated discussion to help propel these creations into their next phase of production. \n\n\n\nPresenting artists: Yehuda DromiNieya AmezquitaFreitas NuvungaAnwen Sereina Ortiz aka ANWEN & Maria Jose Ulloa Beteta aka JUANAJustus Harris & Derin Cankaya & Madeline Shann \n\n\n\nCome early and grab a beer at our bar\, per donation.Stay late and have a chat with your community at LAKE. \n\n\n\nProgram below!\n\n\n\nSupported by the Berlin SenateLAKE Studios Berlin  \n\n\n\nEntrance Free. Please Register: \n\n\n\n		\n\n			\n			\n				\nEmail *\n		\n\n		\n		\n		\n\n		\n\nName & Number of Reservations *\n		\n\n				\n		\n		\n\n		\n\n\n		\n\n		Would you like to receive our monthly newsletter?\n				Yes\n				No\n\n\n		\n			SEND\n						\n\n					\n\n		\n				\n				\n\n							\n\n		\n\n		\n\n\n\n\n \n\n\n\nIs Missingby Yehuda Dromi \n\n\n\nIn life there are many distinct structures of holding: work\, deadlines\, meeting with a friend…. and background there is always an abyss\, tempting me to come and disappear into it. “Is Missing” explores that abyss—the place where things come apart and break\, the bodily dialogue between holding on and slipping away. \n\n\n\n\n\n\n\n\n\n\n\n\n\nencuentro houseroby Anwen Sereina Ortiz aka ANWEN & Maria Jose Ulloa Beteta aka JUANA \n\n\n\nThe two artists ANWEN and JUANA are united by their search for a physical dialogue between origin and present\, between ritualized\, communal forms and the individual expressiveness embodied by house dance. While each of them pursue her own cultural starting point\, they come together in an exchange about movement\, rhythm\, and identity. Their common goal is to use the practice of house to find new ways to embody and transform cultural memories and ultimately share them in community. \n\n\n\n\n\n\n\n\n\n\n\n\n\nBefore the Stone Speaks (an excerpt)by Nieya Amezquita \n\n\n\nMusic by internetjunkhound \n\n\n\nFor the past year\, my research has centered on the psychological effects of self- evaluation. The process of self-improvement is rarely linear. It is cyclical\, demanding\, and often a necessary odyssey of its own. I have become increasingly interested in the ways we perceive ourselves\, the narratives we construct around our identities\, and the often difficult process of confronting the parts of ourselves we would rather avoid. This work exists to ask a simple but personal question: what becomes possible when we stop resisting the weight we carry and instead engage with them as sources of wisdom. \n\n\n\n\n\n\n\n\n\n\n\n\n\nA Panela da Minha Mãe (My Mother’s Pot)by Freitas Nuvunga \n\n\n\nA Panela da Minha Mãe (My Mother’s Pot) is a ritualistic solo exploring the female body as a space of resistance and care. Inspired by the artist’s Mozambican mother\, the work reflects on women as an often invisible foundation of families and communities. The imagined pot becomes a symbol of the womb\, repetition\, transformation and resilience\, turning everyday gestures and silent forms of resistance into a ritual of recognition and respect. \n\n\n\n\n\n\n\n\n\n\n\n\n\nSomatic Shrines for Crip Times: Act Iby Justus Harris & Derin Cankaya & Madeline Shann  \n\n\n\nSomatic Shrines for Crip Times is an immersive performance and exhibition modeled on the concept of a shrine honoring the lived experience of people with disabilities. The performance consists of offerings energetic and choreographic offerings given to imagined avatars\, that have sonic and visual aesthetic\, connected to emotions including pleasure\, grief\, and anger within and outside the context of disability experiences. These performances create a live setting in which performers communicate about their experiences through the conduit of the avatar. The physical movements of each person will reflect their capacities on that particular day\, making flexibility an integral aspect of the piece. \n\n\n\nArtistic Director/ Creative Producer: Justus Harris (he/they)Sound Design: Jason Bakker-Walters (he)Access Consulting: Juli Reinartz (she/her)Trainer in Community Organizing Methodology (advising on accessibility): Ann (she/they)3D Rendering Technician and Technical Support: Nikita FREEBOID (he/him)Videography: Kit Blamire (they/them)\, Sebastian Steins (he/they)Sound Design: Jason Bakker-Walters (he/him)Assistant Creative Producer: Joelle Burrichter (they/them)Outside Eye: Estrellx Supernova (they/them)Accessible Choreography Consulting: Sabina Moe (they/them)Special Thanks: Adam Borut (he/him)\, Elijah Burgher\, Kenny Fries\, Liza Bernstein (she/ they)\, Lisa Goldman (she/her)\, Sherry Ohly (she/her)\, Sophie Mars (she/her)\, Perel (they/ them)\, Marina Tsaplina (she+)\, Dawn Gibson (she/her)\, Diana Malin\, Jane Harris\, Justus Harris Sr.\, Robert and Leonne Harris\, 90 mil\, Making a Difference\, Un-Label\, and all research workshop participants.Funded by the Berlin Senate – Department for Culture and Social Cohesion. \n\n\n\nContent triggers and Health note:The performance’s themes include\, among other things\, descriptions of chronic illnesses and disabilities\, and death.We will offer free FFP2 masks to audience members during our section of the evening as part of our accessibility measures. We ask those who are able to wear one\, and who do not have a medical reason preventing them from doing so\, to support this aspect of the project.. The project has been developed through access- centered practices rooted in disability experience\, including masking and COVID testing. All collaborators live with disability\, and several are immunocompromised or living with Long COVID. Masking was required throughout development\, and the exhibition and performances are designed to support this access practice as an ongoing\, functional measure.
URL:https://lakestudiosberlin.com/event/unfinished-fridays-127/
CATEGORIES:Unfinished Fridays
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