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DTSTART;TZID=Europe/Berlin:20251024T193000
DTEND;TZID=Europe/Berlin:20251024T223000
DTSTAMP:20261015T154734
CREATED:20250825T091632Z
LAST-MODIFIED:20251020T152945Z
UID:19177-1761334200-1761345000@lakestudiosberlin.com
SUMMARY:Unfinished Fridays #119
DESCRIPTION:We are excited to present the next volume of our work-in-progress series\, Unfinished Fridays\, featuring new works/excerpts by resident artists and special guests: \n\n\n\nMariana Romagnani\, Mira Fowler\, Min Yoon\, Maria Ollé Herce \n\n\n\nProgram below! \n\n\n\nEntrance Free. Please Register: \n\n\n\n		\n\n			\n			\n				\nEmail *\n		\n\n		\n		\n		\n\n		\n\nName & Number of Reservations *\n		\n\n				\n		\n		\n\n		\n\n\n		\n			SEND\n						\n\n					\n\n		\n				\n				\n\n							\n\n		\n\n		\n\n\n\n\nSmooth is Fast – Mira FowlerWhen the vehicle disappears\, she is left only with the reverberations of her bikebody.  \n\n\n\n\n\n\n\n\n\n\n\n\n\ndancing-being-in-time – Min Yoondancing-being-in-time is a slow evolution over the span of years is compressed into this single hour. With post/butoh dance and vocals\, it enters the body as a living archive of pain: What impulses have been inherited\, imposed\, or reclaimed? How is pain danced in the same body across time?dancing-being-in-time is a looooong evolving piece\, over years and lifetimes. Old/new pain patterns and impulses are expanded as a creature across loops and repetition. Min’s vocals came after years of contraction and compression with butoh dance. Their vocals are pressured paintings that move – around the space of the body. This is a continued piece with new artistic experiments of emotional landscapes with post/butoh dance + voice + looper. \n\n\n\n\n\n\n\n\n\n\n\n\n\nTheo Altmann\, Daniel Sauer and Maria O’Herce \n\n\n\nOur collaboration is centered around breath as our common instrument— breath as sound\, as movement\, as physiological patterns to trigger emotion\, as a way to draw an audience into a shared trip.Through voice\, live music\, and physicality\, we are currently exploring different immersive scores that morph between choir-like harmonies\, intimate storytelling\, and moments of physical –and sounding– exhaustion. \n\n\n\n\n\n\n\n\n\n\n\n\n\n WORK (in progress) – Mariana Romagnani \n\n\n\nConcept\, choreography\, and performance: Mariana RomagnaniDramaturgy\, Choreography assistance:  Kysy FischerSound direction: Jan GehmlichAt Unfinished Fridays\, Mariana will share excerpts from her new piece\, WORK\, which will soon have its premiere November 13–16 at Dock 11. A duet between a woman and a backpack unfolds as they dance along a shared axis\, negotiating weights and strengths. Together\, they embark on a journey through images\, memories\, and stories—inviting the audience to connect with the things we carry\, both with and within us.Through a poetic exploration of the connection between care and carrying\, the piece reflects on society’s definition of work and on the interdependencies of care.In this sharing\, she will explore the potential material of the piece with a focus on moments of interaction with the audience.
URL:https://lakestudiosberlin.com/event/unfinished-fridays-119/
CATEGORIES:Unfinished Fridays
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