- Diese Veranstaltung hat bereits stattgefunden.
Unfinished Fridays #119
Okt. 24th 2025 , 19:30 – 22:30
Wir freuen uns, die nächste Ausgabe von Unfinished Fridays präsentieren zu können, mit neuen Arbeiten/Auszüge der LAKE-Künstler:innen und eingeladene Gäste.
Mariana Romagnani, Mira Fowler, Min Yoon, Maria Ollé Herce
Eintritt Frei. Bitte Anmelden:
Smooth is Fast – Mira Fowler
When the vehicle disappears, she is left only with the reverberations of her bikebody.
dancing-being-in-time – Min Yoon
dancing-being-in-time is a slow evolution over the span of years is compressed into this single hour. With post/butoh dance and vocals, it enters the body as a living archive of pain: What impulses have been inherited, imposed, or reclaimed? How is pain danced in the same body across time?
dancing-being-in-time is a looooong evolving piece, over years and lifetimes. Old/new pain patterns and impulses are expanded as a creature across loops and repetition. Min’s vocals came after years of contraction and compression with butoh dance. Their vocals are pressured paintings that move – around the space of the body.
This is a continued piece with new artistic experiments of emotional landscapes with post/butoh dance + voice + looper.
Theo Altmann, Daniel Sauer and Maria O’Herce
Our collaboration is centered around breath as our common instrument— breath as sound, as movement, as physiological patterns to trigger emotion, as a way to draw an audience into a shared trip.Through voice, live music, and physicality, we are currently exploring different immersive scores that morph between choir-like harmonies, intimate storytelling, and moments of physical –and sounding– exhaustion.
WORK (in progress) – Mariana Romagnani
Concept, choreography, and performance: Mariana Romagnani
Dramaturgy, Choreography assistance: Kysy Fischer
Sound direction: Jan Gehmlich
At Unfinished Fridays, Mariana will share excerpts from her new piece, WORK, which will soon have its premiere November 13–16 at Dock 11. A duet between a woman and a backpack unfolds as they dance along a shared axis, negotiating weights and strengths. Together, they embark on a journey through images, memories, and stories—inviting the audience to connect with the things we carry, both with and within us.Through a poetic exploration of the connection between care and carrying, the piece reflects on society’s definition of work and on the interdependencies of care.In this sharing, she will explore the potential material of the piece with a focus on moments of interaction with the audience.
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